{"id":419,"date":"2017-12-03T13:12:27","date_gmt":"2017-12-03T12:12:27","guid":{"rendered":"http:\/\/localhost:8080\/Wordpress\/Schorsologie\/?page_id=419"},"modified":"2018-02-11T15:57:15","modified_gmt":"2018-02-11T14:57:15","slug":"saul-theater-bielefeld","status":"publish","type":"page","link":"https:\/\/www.joergbehr.de\/?page_id=419","title":{"rendered":"Georg Friedrich H\u00e4ndel: SAUL &#8211; Theater Bielefeld"},"content":{"rendered":"<h4><style id=\"bwg-style-0\">  #bwg_container1_0 {    display: table;\t\/*visibility: hidden;*\/  }  #bwg_container1_0 * {\t  -moz-user-select: none;\t  -khtml-user-select: none;\t  -webkit-user-select: none;\t  -ms-user-select: none;\t  user-select: none;  }  #bwg_container1_0 #bwg_container2_0 .bwg_slideshow_image_wrap_0 {\t  background-color: #000000;\t  width: 800px;\t  height: 500px;  }  #bwg_container1_0 #bwg_container2_0 .bwg_slideshow_image_0 {\t  max-width: 800px;\t  max-height: 410px;  }  #bwg_container1_0 #bwg_container2_0 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        data-filmstrip-position=\"top\"         data-filmstrip-size=\"90\">      <div class=\"bwg_slide_container_0\">        <div class=\"bwg_slide_bg_0\">          <div class=\"bwg_slider_0\">                            <span class=\"bwg_slideshow_image_spun_0\" id=\"image_id_0_50\">                    <span class=\"bwg_slideshow_image_spun1_0\">                      <span class=\"bwg_slideshow_image_spun2_0\">                                                  <a  class=\"bwg-a bwg_lightbox\" href=\"https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/photo-gallery\/6983__11.jpg?ssl=1\" data-image-id=\"50\" data-elementor-open-lightbox=\"no\">                          <img data-recalc-dims=\"1\" decoding=\"async\" id=\"bwg_slideshow_image_0\"                               class=\"skip-lazy bwg_slide bwg_slideshow_image_0 \"                               src=\"https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/photo-gallery\/6983__11.jpg?w=756&#038;ssl=1\"                               data-src=\"https:\/\/www.joergbehr.de\/wp-content\/uploads\/photo-gallery\/6983__11.jpg\"                               image_id=\"50\"                               alt=\"Saul_1\" \/>                          <\/a>                                                <\/span>                    <\/span>                  <\/span>                <span class=\"bwg_slideshow_image_second_spun_0\">                  <\/span>                <input type=\"hidden\" id=\"bwg_current_image_key_0\" value=\"0\" \/>                          <\/div>        <\/div>      <\/div>              <a class=\"bwg-a\" id=\"spider_slideshow_left_0\" onclick=\"bwg_change_image(parseInt(jQuery('#bwg_current_image_key_0').val()), (parseInt(jQuery('#bwg_current_image_key_0').val()) + 9 - bwg_iterator(0)) % 9, '', '', 0); return false;\"><span id=\"spider_slideshow_left-ico_0\"><span><i class=\"bwg-icon-chevron-left bwg_slideshow_prev_btn_0\"><\/i><\/span><\/span><\/a>        <span id=\"bwg_slideshow_play_pause_0\" class=\"bwg_slideshow_play_pause\" style=\"display: ;\"><span><span id=\"bwg_slideshow_play_pause-ico_0\"><i class=\"bwg-icon-play bwg_ctrl_btn_0 bwg_slideshow_play_pause_0\"><\/i><\/span><\/span><\/span>        <a class=\"bwg-a\" id=\"spider_slideshow_right_0\" onclick=\"bwg_change_image(parseInt(jQuery('#bwg_current_image_key_0').val()), (parseInt(jQuery('#bwg_current_image_key_0').val()) + bwg_iterator(0)) % 9, '', '', 0); return false;\"><span id=\"spider_slideshow_right-ico_0\"><span><i class=\"bwg-icon-chevron-right bwg_slideshow_next_btn_0\"><\/i><\/span><\/span><\/a>            <\/div>      <\/div>            <\/div>        <\/form>        <style>          #bwg_container1_0 #bwg_container2_0 #spider_popup_overlay_0 {          background-color: #000000;          opacity: 0.70;          }          <\/style>        <div id=\"bwg_spider_popup_loading_0\" class=\"bwg_spider_popup_loading\"><\/div>        <div id=\"spider_popup_overlay_0\" class=\"spider_popup_overlay\" onclick=\"spider_destroypopup(1000)\"><\/div>        <input type=\"hidden\" id=\"bwg_random_seed_0\" value=\"2036341677\">                <\/div>    <\/div>    <script>      if (document.readyState === 'complete') {        if( typeof bwg_main_ready == 'function' ) {          if ( jQuery(\"#bwg_container1_0\").height() ) {            bwg_main_ready(jQuery(\"#bwg_container1_0\"));          }        }      } else {        document.addEventListener('DOMContentLoaded', function() {          if( typeof bwg_main_ready == 'function' ) {            if ( jQuery(\"#bwg_container1_0\").height() ) {             bwg_main_ready(jQuery(\"#bwg_container1_0\"));            }          }        });      }    <\/script>    <\/h4>\n<p style=\"text-align: left;\">\u00a9 Fotos: Kai-Uwe Schulte-Bunert<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"8x4HiN9PVi\"><p><a href=\"https:\/\/www.joergbehr.de\/?page_id=542\">Besetzung SAUL<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/www.joergbehr.de\/?page_id=542&#038;embed=true#?secret=8x4HiN9PVi\" data-secret=\"8x4HiN9PVi\" width=\"600\" height=\"338\" title=\"&#8222;Besetzung SAUL&#8220; &#8212; J\u00f6rg Behr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/d2umRJHGjNo\" width=\"490\" height=\"370\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-link=\"https:\/\/www.youtube.com\/watch?v=d2umRJHGjNo\"><\/iframe><\/p>\n<h4>Pressestimmen:<\/h4>\n<h4><span style=\"color: #000000;\">NEUE WESTF\u00c4LISCHE ZEITUNG am 9. Oktober 2012<\/span><\/h4>\n<h6>\u201e(&#8230;) Regisseur J\u00f6rg Behr hat Georg Friedrich H\u00e4ndels Oratorium \u201eSaul\u201c und seine biblische Geschichte in die Gegenwart geholt. \u00dcberzeugend lotet er die Figuren, ihre privaten Konflikte und Entwicklungen aus, zeigt aber auch die politische Dimension des Werks auf. Was er an Handlung erfindet und an doppelten B\u00f6den einzieht, regt zum Mitdenken und Hinterfragen an und wirkt lange nach. (..)<\/h6>\n<h6>Eine von der Regie erfundene Vision vom Propheten Samuel und dem Harfe spielenden Knaben David, der einen Apfel \u2013 die Genesis l\u00e4sst gr\u00fc\u00dfen \u2013 in der Hand h\u00e4lt, l\u00f6st bei Saul einen weiteren Mordversuch an der \u201eSchlange\u201c David aus. Er hat sie am Busen gen\u00e4hrt, und jetzt will sie ihm die Macht rauben. Frank van Hove gibt dem innerlich zerrissenen, tragischen Helden mit edlem, warmem Bass ein menschliches Gesicht.(&#8230;)<\/h6>\n<h6>Auch David gibt zu denken, weil die Regie die Widerspr\u00fcche dieser Figur herausstellt und sie damit menschlich macht. Dieser sympathische, charismatische Siegertyp gewinnt die Herzen. Das Volk zieht er ebenso auf seiner Seite wie Sauls Tochter Michal und dessen Sohn Jonathan. Doch David hat auch eine dunkle Seite. Den in Plastik eingeschwei\u00dften Kopf Goliaths schwenkt er ebenso unger\u00fchrt wie er sp\u00e4ter den Mann t\u00f6tet, der Saul noch eine Kugel in den K\u00f6rper jagt, nachdem der sich selbst erschossen hat. David ist in einer Spirale der Gewalt gefangen. Am Ende segnen er und der allgegenw\u00e4rtige Hohepriester (Lianghua Gong mit silbrigem Tenor) ein goldenes Maschinengewehr. Aus den Tr\u00fcmmern der Vergangenheit (B\u00fchnenbild: Marc Weeger) erheben sich wieder drei T\u00fcrme, aber der Kampf geht weiter. Der neue Milit\u00e4rdiktator sinkt ersch\u00f6pft in seinen Sessel, und man ahnt, dass der Wahn auch hier nicht weit ist. (&#8230;)<\/h6>\n<h6>\u201eSaul\u201c ist aber auch ein Triumph zweier un\u00fcbertroffen spielstarker Sopranistinnen. Fabelhaft Cornelie Isenb\u00fcrger, die als Sauls Tochter Michal eine gro\u00dfe Entwicklung durchmacht \u2013 vom unpolitischen Luxusgesch\u00f6pf \u00fcber die engagierte Frau an Davids Seite bis hin zur desillusionierten K\u00f6nigin. Auch stimmlich ist das ganz gro\u00df. Nicht minder beeindruckend und expressiv Melanie Kreuter als Sauls \u00e4lteste Tochter Merab, die sich von der rassistischen David-Hasserin zur Nachdenklichen, Mitf\u00fchlenden wandelt. (&#8230;) Ein weiterer \u201eHauptdarsteller\u201c ist der Chor. Die Regie hat ihn geschmeidig in das Geschehen integriert. Opernchor und Extra-Chor (Leitung: Hagen Enke) meistern die Herausforderung, die umfangreichen und anspruchsvolle Chorpassagen differenziert zu singen und zu spielen, bravour\u00f6s. (&#8230;)&#8220;<\/h6>\n<h6><span style=\"color: #000000;\"><strong><em>\u201eDie Spirale der Gewalt&#8220;<\/em> von Anke Gronewold<\/strong><\/span><\/h6>\n<h4><span style=\"color: #000000;\">LIPPE AKTUELL am 13. Oktober 2012<\/span><\/h4>\n<h6>\u201eDas Ora\u00adto\u00adrium \u00bbSaul\u00ab auf der B\u00fchne in Szene zu set\u00adzen, war eine gro\u00dfe Her\u00adaus\u00adfor\u00adde\u00adrung, der sich J\u00f6rg Behr ge\u00admein\u00adsam mit Marc Wee\u00adger (B\u00fch\u00adne) und Eva-Ma\u00adreike Uh\u00adlig (Kost\u00fc\u00adme) ge\u00adstellt hat\u00adten. Alle drei ar\u00adbei\u00adten zum ers\u00adten Mal in Bie\u00adle\u00adfeld und man darf sa\u00adgen, sie ka\u00admen, sa\u00adhen und sieg\u00adten. (&#8230;) Wie viel Herz\u00adblut steckt in die\u00adser Auf\u00adf\u00fchrung! Hoch\u00adach\u00adtung und Re\u00adspekt f\u00fcr alle Be\u00adtei\u00adlig\u00adten. Und tief emp\u00adfun\u00adde\u00adner Dank.&#8220;<\/h6>\n<h6><span style=\"color: #000000;\">\u201eEin Feuerwerk der Sch\u00f6nheit&#8220;, <strong><span style=\"color: #000000;\">(<\/span>ame)<\/strong><\/span><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>\u00a9 Fotos: Kai-Uwe Schulte-Bunert Besetzung SAUL Pressestimmen: NEUE WESTF\u00c4LISCHE ZEITUNG am 9. Oktober 2012 \u201e(&#8230;) Regisseur J\u00f6rg Behr hat Georg Friedrich H\u00e4ndels Oratorium \u201eSaul\u201c und seine biblische Geschichte in die Gegenwart geholt. \u00dcberzeugend lotet er die Figuren, ihre privaten Konflikte und Entwicklungen aus, zeigt aber &hellip; <a href=\"https:\/\/www.joergbehr.de\/?page_id=419\" class=\"more-link\"><span>Continue reading<span class=\"screen-reader-text\">Georg Friedrich H\u00e4ndel: SAUL &#8211; Theater Bielefeld<\/span><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-419","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9tc3I-6L","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":67,"url":"https:\/\/www.joergbehr.de\/?page_id=67","url_meta":{"origin":419,"position":0},"title":"Vita","author":"Schorse","date":"27. November 2017","format":false,"excerpt":"J\u00f6rg Behr, geboren in Bremen, studierte w\u00e4hrend der Schulzeit als Jungstudent Violine an der Bremer Hochschule f\u00fcr K\u00fcnste. Nach dem Abitur absolvierte er den Studiengang Musiktheater-Regie in Hamburg (Leitung: G\u00f6tz Friedrich), den er 1997 mit Auszeichnung und der Inszenierung von Luciano Berios Fassung von Mozarts ZAIDE abschloss. Von 1997 bis\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/JoergBehr.jpg?fit=1200%2C797&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/JoergBehr.jpg?fit=1200%2C797&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/JoergBehr.jpg?fit=1200%2C797&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/JoergBehr.jpg?fit=1200%2C797&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/JoergBehr.jpg?fit=1200%2C797&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":542,"url":"https:\/\/www.joergbehr.de\/?page_id=542","url_meta":{"origin":419,"position":1},"title":"Besetzung SAUL","author":"Schorse","date":"7. Dezember 2017","format":false,"excerpt":"Musikalische Leitung: Alexander Kalajdzic,\u00a0 Inszenierung: J\u00f6rg Behr, B\u00fchne: Marc Weeger, Kost\u00fcme: Eva-Mareike Uhlig, Choreinstudierung: Hagen Enke,\u00a0 Dramaturgie: Uwe Sommer-Sorgente Saul: Frank van Hove,\u00a0 Jonathan: Michael Pflumm, David: Clint van der Linde, Merab: Melanie Kreuter, Michal: Cornelie Isenb\u00fcrger, Der Geist Samuels: Vladimir Miakotine, Hohepriester: Lianghua Gong, Abner \/ Ein Amalekiter \/\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":441,"url":"https:\/\/www.joergbehr.de\/?page_id=441","url_meta":{"origin":419,"position":2},"title":"Bruno Maderna: HYPERION &#8211; Theater Freiburg","author":"Schorse","date":"3. Dezember 2017","format":false,"excerpt":"\u00a9 Fotos: Beatrix von Pilgrim https:\/\/www.joergbehr.de\/?page_id=779 AUSGEZEICHNET MIT DEM G\u00d6TZ FRIEDRICH PREIS 2002 Pressestimmen: OPERNWELT Februar 2001 \u201eNoch nie wohl hat ein Regisseur H\u00f6lderlins Hyperion in einen so konkreten Kontext gebracht wie J\u00f6rg Behr in Freiburg. Mit Erfolg, dies sei vorweggenommen. Denn die Breisgauer Umsetzung von Madernas \u00abLirica in forma\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1313,"url":"https:\/\/www.joergbehr.de\/?page_id=1313","url_meta":{"origin":419,"position":3},"title":"Anno Schreier: WUNDERLAND &#8211; Theater Freiburg","author":"Schorse","date":"3. Dezember 2018","format":false,"excerpt":"\u00a9 Fotos: Laura Nickel https:\/\/www.joergbehr.de\/?page_id=1309&preview=true Termine \/ Theater Freiburg Pressestimmen: NEUE MUSIK ZEITUNG online am 06.11.2018 \u201eWie die Mezzosopranistin und der Bariton in verschiedene Rollen schl\u00fcpfen, so zieht sich der Karlsruher Komponist f\u00fcr die einzelnen Szenen auch musikalisch unterschiedliche Kost\u00fcme an. (...) Librettist Alexander Jansen verzichtet auf eine klare Handlung\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2018\/12\/Wunderland_01_11_2018_020.jpg?fit=800%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2018\/12\/Wunderland_01_11_2018_020.jpg?fit=800%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2018\/12\/Wunderland_01_11_2018_020.jpg?fit=800%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2018\/12\/Wunderland_01_11_2018_020.jpg?fit=800%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1514,"url":"https:\/\/www.joergbehr.de\/?page_id=1514","url_meta":{"origin":419,"position":4},"title":"DER VETTER AUS DINGSDA &#8211; Landestheater Coburg","author":"Schorse","date":"24. Mai 2019","format":false,"excerpt":"\u00a9 Fotos Sebastian Buff und J\u00f6rg Behr https:\/\/www.joergbehr.de\/?page_id=1519 Teaser des Landestheaters Coburg https:\/\/vimeo.com\/334122871 Pressestimmen Bayerischer Rundfunk am 6. Mai 2019 (BR24, BR Klassik) \u201e(\u2026) 1921 schrieb Eduard K\u00fcnneke eine Operette \u00fcber unerf\u00fcllte Sehns\u00fcchte und die Liebe nach dem Unerreichbaren. Am Landestheater Coburg macht J\u00f6rg Behr daraus ein umjubeltes Kammerspiel mit\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2019\/05\/1417_ltc_2019_vetter_aus_dingsda.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2019\/05\/1417_ltc_2019_vetter_aus_dingsda.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2019\/05\/1417_ltc_2019_vetter_aus_dingsda.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2019\/05\/1417_ltc_2019_vetter_aus_dingsda.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2019\/05\/1417_ltc_2019_vetter_aus_dingsda.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2318,"url":"https:\/\/www.joergbehr.de\/?page_id=2318","url_meta":{"origin":419,"position":5},"title":"SIEBEN LETZTE WORTE &#8211; Sieben Musiktheater-Videos","author":"Schorse","date":"10. Oktober 2022","format":false,"excerpt":"SIEBEN LETZTE WORTE mit Lisbeth Rasmussen Juel (Sopran) und Kristina Polly-\u0160ibenik (Klavier u.a.) sind meine Erstlings-Musiktheater-Videos Das Sterben betrifft uns alle, doch im Alltag bleibt es ein Tabu. 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