{"id":441,"date":"2017-12-03T13:28:47","date_gmt":"2017-12-03T12:28:47","guid":{"rendered":"http:\/\/localhost:8080\/Wordpress\/Schorsologie\/?page_id=441"},"modified":"2018-02-11T15:53:16","modified_gmt":"2018-02-11T14:53:16","slug":"hyperion-theater-freiburg","status":"publish","type":"page","link":"https:\/\/www.joergbehr.de\/?page_id=441","title":{"rendered":"Bruno Maderna: HYPERION &#8211; Theater Freiburg"},"content":{"rendered":"<h4><style id=\"bwg-style-0\">  #bwg_container1_0 {    display: table;\t\/*visibility: hidden;*\/  }  #bwg_container1_0 * {\t  -moz-user-select: none;\t  -khtml-user-select: none;\t  -webkit-user-select: none;\t  -ms-user-select: none;\t  user-select: none;  }  #bwg_container1_0 #bwg_container2_0 .bwg_slideshow_image_wrap_0 {\t  background-color: #000000;\t  width: 800px;\t  height: 500px;  }  #bwg_container1_0 #bwg_container2_0 .bwg_slideshow_image_0 {\t  max-width: 800px;\t  max-height: 410px;  }  #bwg_container1_0 #bwg_container2_0 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class=\"spider_popup_overlay\" onclick=\"spider_destroypopup(1000)\"><\/div>        <input type=\"hidden\" id=\"bwg_random_seed_0\" value=\"1112440575\">                <\/div>    <\/div>    <script>      if (document.readyState === 'complete') {        if( typeof bwg_main_ready == 'function' ) {          if ( jQuery(\"#bwg_container1_0\").height() ) {            bwg_main_ready(jQuery(\"#bwg_container1_0\"));          }        }      } else {        document.addEventListener('DOMContentLoaded', function() {          if( typeof bwg_main_ready == 'function' ) {            if ( jQuery(\"#bwg_container1_0\").height() ) {             bwg_main_ready(jQuery(\"#bwg_container1_0\"));            }          }        });      }    <\/script>    <\/h4>\n<p style=\"padding-left: 30px;\">\u00a9 Fotos: Beatrix von Pilgrim<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"QS6mrskZoP\"><p><a href=\"https:\/\/www.joergbehr.de\/?page_id=779\">Besetzung HYPERION<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/www.joergbehr.de\/?page_id=779&#038;embed=true#?secret=QS6mrskZoP\" data-secret=\"QS6mrskZoP\" width=\"600\" height=\"338\" title=\"&#8222;Besetzung HYPERION&#8220; &#8212; J\u00f6rg Behr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<h4 style=\"padding-left: 30px;\">AUSGEZEICHNET MIT DEM G\u00d6TZ FRIEDRICH PREIS 2002<\/h4>\n<p style=\"padding-left: 30px;\">Pressestimmen:<\/p>\n<h4 style=\"padding-left: 30px;\"><span style=\"color: #000000;\">OPERNWELT Februar 2001<\/span><\/h4>\n<h6 style=\"padding-left: 30px;\">\u201eNoch nie wohl hat ein Regisseur H\u00f6lderlins Hyperion in einen so konkreten Kontext gebracht wie J\u00f6rg Behr in Freiburg. Mit Erfolg, dies sei vorweggenommen. Denn die Breisgauer Umsetzung von Madernas \u00abLirica in forma di spettaculo\u00bb folgt mit \u00dcberzeugungskraft einer H\u00f6lderlin-Hyperion\u2019schen Pr\u00e4misse: \u00abEin jeder treibt das Seine, nur muss er es mit ganzer Seele treiben.\u00bb Alles ist zeitlich und r\u00e4umlich fixiert \u2013 im Zeitalter von APO und RAF, von sp\u00e4tb\u00fcrgerlicher Saturiertheit und Opposition. (\u2026)<\/h6>\n<h6 style=\"padding-left: 30px;\">Stimmig und \u00fcberaus originell lenkt J\u00f6rg Behr die Massen \u00fcber die B\u00fchne und l\u00e4sst organisch das Geschehen daraus erwachsen. Das ist nicht nur handwerklich gut gemacht, es zeugt auch von hoher Kreativit\u00e4t, wie die Bilder und Wunschbilder miteinander korrespondieren, wie Szenen eingefroren oder zur\u00fcckgefahren werden, wie Emotion und Gef\u00fchlsk\u00e4lte aufeinanderprallen. Fast k\u00f6nnte man ob dieser wohldurchdachten, sorgf\u00e4ltig umgesetzten Regie schon bef\u00fcrchten, dass die Musik an den Rand des Illustrativen gedr\u00e4ngt wird. Aber nur fast. J\u00f6rg Behr und Kwam\u00e9 Ryan haben nicht gegeneinander gearbeitet \u2013 man sp\u00fcrt vielmehr, wie hier eine Produktion im Bewusstsein zweier ebenb\u00fcrtiger Komponenten gewachsen ist. Das eine lenkt vom anderen nicht ab, es erg\u00e4nzt sich oder f\u00fchrt zueinander hin. \u00abHandwerker siehst du, doch keine Menschen\u00bb: Zumindest in Bezug auf diese, hohe Ma\u00dfst\u00e4be setzende Produktion im letzten Jahr der \u00c4ra Ammann in Freiburg h\u00e4tte H\u00f6lderlin geirrt: Aufw\u00fchlender kann gut gemachtes Theater kaum sein.\u201c<\/h6>\n<h6 style=\"padding-left: 30px;\"><span style=\"color: #000000;\"><em>\u201eH\u00f6lderlin anno 1968\u201c<\/em> von Alexander Dick<\/span><\/h6>\n<h4 style=\"padding-left: 30px;\"><span style=\"color: #000000;\">BADISCHE ZEITUNG am 22. Dezember 2001<\/span><\/h4>\n<h6 style=\"padding-left: 30px;\">\u201eDiese Variante des \u201eHyperion\u201c fesselt \u00fcber weite Strecken, eben weil sie eminent spannend ist, spannend sogar im Stillstand, spannend, wenn scheinbar nichts passiert. J\u00f6rg Behr (\u2026) kann aus winzigen Regungen, aus minimalen K\u00f6rper- und Haltungs- und Minenspiel ganze Geschichten andeuten. Er kann die Szenenbewegung in eine artifiziellen Zeitlupen-Pantomime zur konzertanten Musik \u00fcberf\u00fchren, er kann die Szene auch regelrecht einfrieren lassen \u2013 Stillleben mit Darstellern. Der junge Mann ist ein Riesentalent, Intendanten aufgepasst!\u201c<\/h6>\n<h6 style=\"padding-left: 30px;\"><span style=\"color: #000000;\"><em>\u201eH\u00f6lderlin, der Terrorist\u201c<\/em> von Heinz W. Koch<\/span><\/h6>\n<h6><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>\u00a9 Fotos: Beatrix von Pilgrim Besetzung HYPERION AUSGEZEICHNET MIT DEM G\u00d6TZ FRIEDRICH PREIS 2002 Pressestimmen: OPERNWELT Februar 2001 \u201eNoch nie wohl hat ein Regisseur H\u00f6lderlins Hyperion in einen so konkreten Kontext gebracht wie J\u00f6rg Behr in Freiburg. Mit Erfolg, dies sei vorweggenommen. Denn die Breisgauer &hellip; <a href=\"https:\/\/www.joergbehr.de\/?page_id=441\" class=\"more-link\"><span>Continue reading<span class=\"screen-reader-text\">Bruno Maderna: HYPERION &#8211; Theater Freiburg<\/span><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":2,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-441","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9tc3I-77","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":67,"url":"https:\/\/www.joergbehr.de\/?page_id=67","url_meta":{"origin":441,"position":0},"title":"Vita","author":"Schorse","date":"27. November 2017","format":false,"excerpt":"J\u00f6rg Behr, geboren in Bremen, studierte w\u00e4hrend der Schulzeit als Jungstudent Violine an der Bremer Hochschule f\u00fcr K\u00fcnste. Nach dem Abitur absolvierte er den Studiengang Musiktheater-Regie in Hamburg (Leitung: G\u00f6tz Friedrich), den er 1997 mit Auszeichnung und der Inszenierung von Luciano Berios Fassung von Mozarts ZAIDE abschloss. Von 1997 bis\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/JoergBehr.jpg?fit=1200%2C797&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/JoergBehr.jpg?fit=1200%2C797&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/JoergBehr.jpg?fit=1200%2C797&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/JoergBehr.jpg?fit=1200%2C797&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/JoergBehr.jpg?fit=1200%2C797&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":779,"url":"https:\/\/www.joergbehr.de\/?page_id=779","url_meta":{"origin":441,"position":1},"title":"Besetzung HYPERION","author":"Schorse","date":"13. Dezember 2017","format":false,"excerpt":"Musikalische Leitung: Kwam\u00e9 Ryan, Regie: J\u00f6rg Behr, B\u00fchne und Kost\u00fcme: Beatrix von Pilgrim, Dramaturgie: Sonja Blickensdorfer. Hyperion: Roberto Fabricciani (Fl\u00f6tist), Andreas Sindermann (Schauspieler); Susette Gontard \u201eDiotima\u201c: Sarah Crane; Jacob Gontard, ihr Mann: Ullo von Peinen; Marie R\u00e4tzer, Kinderm\u00e4dchen der Gontards: Sabine Br\u00e4uning; Alabanda, Revolution\u00e4r: Max Ruhbaum. Opernchor des Freiburger Theaters,\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":212,"url":"https:\/\/www.joergbehr.de\/?page_id=212","url_meta":{"origin":441,"position":2},"title":"Puccini\/Bart\u00f3k: DER MANTEL\/ HERZOG BLAUBARTS BURG &#8211; Theater Freiburg","author":"Schorse","date":"29. November 2017","format":false,"excerpt":"\u00a9 Fotos:\u00a0Maurice Korbel Der Mantel\/Herzog Blaubarts Burg am Theater Freiburg https:\/\/www.joergbehr.de\/?page_id=582 Pressestimmen: Badische Zeitung am 28. April 2014 \u201e(...) Musiktheater anregend, quasi handgemacht und ohne multimedialen Schnickschnack. Einiges an Psychologie ist durchweg mit im Spiel. Geht es doch in beiden F\u00e4llen um Getriebene. Beim Schiffseigner Michele (Juan Orosco)... ist die\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/LUV_0047_-2.jpg?fit=1200%2C798&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/LUV_0047_-2.jpg?fit=1200%2C798&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/LUV_0047_-2.jpg?fit=1200%2C798&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/LUV_0047_-2.jpg?fit=1200%2C798&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2017\/11\/LUV_0047_-2.jpg?fit=1200%2C798&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":400,"url":"https:\/\/www.joergbehr.de\/?page_id=400","url_meta":{"origin":441,"position":3},"title":"Richard Strauss: ARIADNE AUF NAXOS &#8211; Theater Freiburg","author":"Schorse","date":"3. Dezember 2017","format":false,"excerpt":"\u00a9 Fotos: Maurice Korbel https:\/\/www.joergbehr.de\/?page_id=633 \ufeff Pressestimmen: BADISCHE ZEITUNG, 26. November 2012 \u201eMan tut gut daran, J\u00f6rg Behrs Freiburger Neuinszenierung der Oper \u201ein einem Aufzuge nebst einem Vorspiel\u201c nicht mit vorschnellen Interpretationen zu begegnen. \u00c4hnlich wie in dem St\u00fcck geht es nicht nur um den Widerstreit zwischen hoher und nied\u2019rer\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":456,"url":"https:\/\/www.joergbehr.de\/?page_id=456","url_meta":{"origin":441,"position":4},"title":"W. A. Mozart: DIE ENTF\u00dcHRUNG AUS DEM SERAIL &#8211; Theater Osnabr\u00fcck","author":"Schorse","date":"4. Dezember 2017","format":false,"excerpt":"\u00a9Fotos: Peer Rudolph https:\/\/www.joergbehr.de\/?page_id=655 Pressestimmen: OPERNNETZ.DE, 20. Mai 2007 \u201eDie \u201eEntf\u00fchrung\u201c ein harmloses Singspiel \u00fcber den Zusammensto\u00df der Kulturen? In einer au\u00dferordentlich konsequent reflektierten Inszenierung von J\u00f6rg Behr wird mit diesem Klischee Schluss gemacht. Die Frauen verlassen ihre Liebhaber, geraten in eine Welt bislang offenbar unerf\u00fcllter sexueller Angebote, erleben das\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1313,"url":"https:\/\/www.joergbehr.de\/?page_id=1313","url_meta":{"origin":441,"position":5},"title":"Anno Schreier: WUNDERLAND &#8211; Theater Freiburg","author":"Schorse","date":"3. Dezember 2018","format":false,"excerpt":"\u00a9 Fotos: Laura Nickel https:\/\/www.joergbehr.de\/?page_id=1309&preview=true Termine \/ Theater Freiburg Pressestimmen: NEUE MUSIK ZEITUNG online am 06.11.2018 \u201eWie die Mezzosopranistin und der Bariton in verschiedene Rollen schl\u00fcpfen, so zieht sich der Karlsruher Komponist f\u00fcr die einzelnen Szenen auch musikalisch unterschiedliche Kost\u00fcme an. (...) Librettist Alexander Jansen verzichtet auf eine klare Handlung\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2018\/12\/Wunderland_01_11_2018_020.jpg?fit=800%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2018\/12\/Wunderland_01_11_2018_020.jpg?fit=800%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2018\/12\/Wunderland_01_11_2018_020.jpg?fit=800%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.joergbehr.de\/wp-content\/uploads\/2018\/12\/Wunderland_01_11_2018_020.jpg?fit=800%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.joergbehr.de\/index.php?rest_route=\/wp\/v2\/pages\/441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.joergbehr.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.joergbehr.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.joergbehr.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.joergbehr.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=441"}],"version-history":[{"count":17,"href":"https:\/\/www.joergbehr.de\/index.php?rest_route=\/wp\/v2\/pages\/441\/revisions"}],"predecessor-version":[{"id":1169,"href":"https:\/\/www.joergbehr.de\/index.php?rest_route=\/wp\/v2\/pages\/441\/revisions\/1169"}],"up":[{"embeddable":true,"href":"https:\/\/www.joergbehr.de\/index.php?rest_route=\/wp\/v2\/pages\/2"}],"wp:attachment":[{"href":"https:\/\/www.joergbehr.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}